{"id":121951,"date":"2026-04-27T14:36:58","date_gmt":"2026-04-27T13:36:58","guid":{"rendered":"https:\/\/dknews.dz\/?p=121951"},"modified":"2026-04-27T14:36:59","modified_gmt":"2026-04-27T13:36:59","slug":"tna-representation-generale-de-la-piece-de-theatre-fissam-a-alger","status":"publish","type":"post","link":"https:\/\/dknews.dz\/index.php\/2026\/04\/27\/tna-representation-generale-de-la-piece-de-theatre-fissam-a-alger\/","title":{"rendered":"TNA : Repr\u00e9sentation g\u00e9n\u00e9rale de la pi\u00e8ce de th\u00e9\u00e2tre \u00ab\u00a0Fissam\u00a0\u00bb \u00e0 Alger"},"content":{"rendered":"\n<p>La pi\u00e8ce de th\u00e9\u00e2tre \u00ab\u00a0Fissam\u00a0\u00bb (Schizophr\u00e9nie), un psychodrame qui explore des univers psychologiques complexes et r\u00e9v\u00e8le la fragilit\u00e9 de l&rsquo;\u00eatre humain face \u00e0 ses conflits int\u00e9rieurs, a \u00e9t\u00e9 pr\u00e9sent\u00e9e en g\u00e9n\u00e9rale dimanche soir au Th\u00e9\u00e2tre national alg\u00e9rien Mahi\u00e9ddine-Bachtarzi (TNA).<\/p>\n\n\n\n<p>Produite par le Th\u00e9\u00e2tre r\u00e9gional d&rsquo;Oum El Bouaghi, \u00ab\u00a0Fissam\u00a0\u00bb- tir\u00e9e de l&rsquo;\u0153uvre \u00e9ponyme de l&rsquo;auteur \u00e9gyptien Houssam Kendil et mise en sc\u00e8ne par Djallal Draoui-, aborde les probl\u00e9matiques de l&rsquo;humanit\u00e9 contemporaine, o\u00f9 r\u00e9alit\u00e9 et illusion se m\u00ealent dans une dualit\u00e9 dramatique qui r\u00e9v\u00e8le la fragilit\u00e9 de l&rsquo;humanit\u00e9 face \u00e0 ses conflits int\u00e9rieurs.<\/p>\n\n\n\n<p>Servi par une quinzaine de com\u00e9diens, investis dans un antagonisme apparent entre les personnages, le spectacle s&rsquo;articule autour d&rsquo;un personnage principal, en proie \u00e0 des graves troubles de d\u00e9doublement de personnalit\u00e9.<\/p>\n\n\n\n<p>Dans un langage th\u00e9\u00e2tral narratif, aux contours abstraits, les com\u00e9diens ont \u00e9volu\u00e9 dans un espace dynamique qui refl\u00e8te le trouble int\u00e9rieur du personnage, sugg\u00e9r\u00e9 par un jeu hautement \u00ab\u00a0maitris\u00e9\u00a0\u00bb du corps, de la voix et de l&rsquo;image.<\/p>\n\n\n\n<p>Privil\u00e9giant l&rsquo;expression visuelle \u00e0 travers des lumi\u00e8res verticales qui structurent l&rsquo;espace sc\u00e9nique, le d\u00e9cor minimaliste et le jeu d&rsquo;\u00e9clairage avec des contrastes lumineux marquants ont contribu\u00e9 \u00e0 recr\u00e9er les atmosph\u00e8res de la trame, empreinte d&rsquo;angoisse, d&rsquo;incertitude et d&rsquo;anxi\u00e9t\u00e9, cons\u00e9quence de conflits int\u00e9rieurs.<\/p>\n\n\n\n<p>Le metteur en sc\u00e8ne a expliqu\u00e9 que le spectacle \u00ab\u00a0Fissam\u00a0\u00bb est une \u00ab\u00a0interrogation existentielle sur l&rsquo;identit\u00e9, la v\u00e9rit\u00e9 et la capacit\u00e9 \u00e0 maintenir une coh\u00e9rence dans un monde en perp\u00e9tuelle mutation\u00a0\u00bb.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La pi\u00e8ce de th\u00e9\u00e2tre \u00ab\u00a0Fissam\u00a0\u00bb (Schizophr\u00e9nie), un psychodrame qui explore des univers psychologiques complexes et r\u00e9v\u00e8le la fragilit\u00e9 de l&rsquo;\u00eatre humain face \u00e0 ses conflits int\u00e9rieurs, a \u00e9t\u00e9 pr\u00e9sent\u00e9e en g\u00e9n\u00e9rale dimanche soir au Th\u00e9\u00e2tre national alg\u00e9rien Mahi\u00e9ddine-Bachtarzi (TNA). Produite par le Th\u00e9\u00e2tre r\u00e9gional d&rsquo;Oum El Bouaghi, \u00ab\u00a0Fissam\u00a0\u00bb- tir\u00e9e de l&rsquo;\u0153uvre \u00e9ponyme de l&rsquo;auteur \u00e9gyptien [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":121952,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"content-type":"","footnotes":""},"categories":[112],"tags":[],"ppma_author":[163],"class_list":{"0":"post-121951","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-culture"},"authors":[{"term_id":163,"user_id":1,"is_guest":0,"slug":"dknews","display_name":"dknews","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/f56c36580f44a9d8e8535169273499b7dddc82045bcc254bf7d154ff6b485f62?s=96&d=mm&r=g","first_name":"","last_name":"","user_url":"https:\/\/dknews.dz","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/dknews.dz\/index.php\/wp-json\/wp\/v2\/posts\/121951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dknews.dz\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dknews.dz\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dknews.dz\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dknews.dz\/index.php\/wp-json\/wp\/v2\/comments?post=121951"}],"version-history":[{"count":0,"href":"https:\/\/dknews.dz\/index.php\/wp-json\/wp\/v2\/posts\/121951\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dknews.dz\/index.php\/wp-json\/wp\/v2\/media\/121952"}],"wp:attachment":[{"href":"https:\/\/dknews.dz\/index.php\/wp-json\/wp\/v2\/media?parent=121951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dknews.dz\/index.php\/wp-json\/wp\/v2\/categories?post=121951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dknews.dz\/index.php\/wp-json\/wp\/v2\/tags?post=121951"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/dknews.dz\/index.php\/wp-json\/wp\/v2\/ppma_author?post=121951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}